'chindogu' is the japanese word coined for the art
of the unuseless idea.
strangely practical and utterly eccentric inventions
for a life of ease and hilarity have taken the land
of the rising sun by storm.
meant to solve the niggling problems of modern life,
these bizarre and logic-defying gadgets and gizmos
have a tendency to fail completely.
addicts of the unuseless all over the world love this
collection. the art of chindogu was born in the late
1980's when amateur inventor kenji kawakami
discovered that a not-quite-usable idea for a new
gadget or product could nonetheless be enjoyable if
one were to create a prototype and take delight in the
way it misses its mark.
the term 'chindogu' entered the english vocabulary in
1991 when then senior society member dan papia
(president of chindogu society america) published an
article on the subject in japan's leading english-language
magazine, the 'tokyo journal'.
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the 10 tenents of chindogu
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1. a chindogu cannot be for real use.
iIt is fundamental to the spirit of chindogu that inventions
claiming chindogu status must be, from a practical point of
view, (almost) completely useless. if you invent something
which turns out to be so handy that you use it all the time,
then you have failed to make a chindogu.
try the patent office.
2. a chindogu must exist.
you are not allowed to use a chindogu, but it must be made.
you have to be able to hold it in your hand and think:
'I can actually imagine someone using this. almost.'
in order to be useless, it must first be.
3. inherent in every chindogu is the spirit of anarchy.
chindogu are man-made objects that have broken free from
the chains of usefulness. they represent freedom of thought
and action: the freedom to challenge the suffocating historical
dominance of conservative utility; the freedom to be (almost)
useless.
4. chindogu are tools for every day life.
chindogu are a form of nonverbal communication understandable
to everyone, everywhere. specialized or technical inventions,
like a three- handled sprocket loosener for drainpipes centered
between two under-the sink cabinet door (the uselessness of
which will only be appreciated by plumbers), do not count.
5. chindogu are not for sale.
chindogu are not tradable commodities. if you accept money
for one you surrender your purity. they must not even be sold
as a joke.
6. humor must not be the sole reason for creating a chindogu.
the creation of chindogu is fundamentally a problem-solving
activity. humor is simply the by-product of finding an elaborate
or unconventional solution to a problem that may not have
been that pressing to begin with.
7. chindogu is not propaganda.
chindogu are innocent. they are made to be used,
even though they cannot be used. they should not be created
as a perverse or ironic comment on the sorry state of mankind.
8. chindogu are never taboo.
the international chindogu society has established certain
standards of social decency. cheap sexual innuendo, humor
of a vulgar nature, and sick or cruel jokes that debase the
sanctity of living things are not allowed.
9. chindogu cannot be patented.
chindogu are offerings to the rest of the world, they are not
therefore ideas to be copyrighted, patented, collected and owned.
as they say in spain, 'mi chindogu es tu chindogu'.
10. chindogu are without prejudice.
chindogu must never favor one race or religion over another.
young and old, male and female, rich and poor, all should have
a free and equal chance to enjoy each and every chindogu.