Variant Korans-

IN 1972, during the restoration of the Great Mosque of Sana'a, in Yemen, laborers working in a loft between the structure's inner and outer roofs stumbled across a remarkable gravesite, although they did not realize it at the time. Their ignorance was excusable: mosques do not normally house graves, and this site contained no tombstones, no human remains, no funereal jewelry. It contained nothing more, in fact, than an unappealing mash of old parchment and paper documents -- damaged books and individual pages of Arabic text, fused together by centuries of rain and dampness, gnawed into over the years by rats and insects. Intent on completing the task at hand, the laborers gathered up the manuscripts, pressed them into some twenty potato sacks, and set them aside on the staircase of one of the mosque's minarets, where they were locked away -- and where they would probably have been forgotten once again, were it not for Qadhi Isma'il al-Akwa', then the president of the Yemeni Antiquities Authority, who realized the potential importance of the find. Discuss this article in Post & Riposte.

Al-Akwa' sought international assistance in examining and preserving the fragments, and in 1979 managed to interest a visiting German scholar, who in turn persuaded the German government to organize and fund a restoration project. Soon after the project began, it became clear that the hoard was a fabulous example of what is sometimes referred to as a "paper grave" -- in this case the resting place for, among other things, tens of thousands of fragments from close to a thousand different parchment codices of the Koran, the Muslim holy scripture. In some pious Muslim circles it is held that worn-out or damaged copies of the Koran must be removed from circulation; hence the idea of a grave, which both preserves the sanctity of the texts being laid to rest and ensures that only complete and unblemished editions of the scripture will be read.

Some of the parchment pages in the Yemeni hoard seemed to date back to the seventh and eighth centuries A.D., or Islam's first two centuries -- they were fragments, in other words, of perhaps the oldest Korans in existence. What's more, some of these fragments revealed small but intriguing aberrations from the standard Koranic text. Such aberrations, though not surprising to textual historians, are troublingly at odds with the orthodox Muslim belief that the Koran as it has reached us today is quite simply the perfect, timeless, and unchanging Word of God.

The mainly secular effort to reinterpret the Koran -- in part based on textual evidence such as that provided by the Yemeni fragments -- is disturbing and offensive to many Muslims, just as attempts to reinterpret the Bible and the life of Jesus are disturbing and offensive to many conservative Christians. Nevertheless, there are scholars, Muslims among them, who feel that such an effort, which amounts essentially to placing the Koran in history, will provide fuel for an Islamic revival of sorts -- a reappropriation of tradition, a going forward by looking back. Thus far confined to scholarly argument, this sort of thinking can be nonetheless very powerful and -- as the histories of the Renaissance and the Reformation demonstrate -- can lead to major social change. The Koran, after all, is currently the world's most ideologically influential text.

Looking at the Fragments

THE first person to spend a significant amount of time examining the Yemeni fragments, in 1981, was Gerd-R. Puin, a specialist in Arabic calligraphy and Koranic paleography based at Saarland University, in Saarbrücken, Germany. Puin, who had been sent by the German government to organize and oversee the restoration project, recognized the antiquity of some of the parchment fragments, and his preliminary inspection also revealed unconventional verse orderings, minor textual variations, and rare styles of orthography and artistic embellishment. Enticing, too, were the sheets of the scripture written in the rare and early Hijazi Arabic script: pieces of the earliest Korans known to exist, they were also palimpsests -- versions very clearly written over even earlier, washed-off versions. What the Yemeni Korans seemed to suggest, Puin began to feel, was an evolving text rather than simply the Word of God as revealed in its entirety to the Prophet Muhammad in the seventh century A.D.

Koran Fragments
Yemeni Koran Fragments,
as they were found in 1972.
Photograph by Ursula Dreibholz

Since the early 1980s more than 15,000 sheets of the Yemeni Korans have painstakingly been flattened, cleaned, treated, sorted, and assembled; they now sit ("preserved for another thousand years," Puin says) in Yemen's House of Manuscripts, awaiting detailed examination. That is something the Yemeni authorities have seemed reluctant to allow, however. "They want to keep this thing low-profile, as we do too, although for different reasons," Puin explains. "They don't want attention drawn to the fact that there are Germans and others working on the Korans. They don't want it made public that there is work being done at all, since the Muslim position is that everything that needs to be said about the Koran's history was said a thousand years ago."

To date just two scholars have been granted extensive access to the Yemeni fragments: Puin and his colleague H.-C. Graf von Bothmer, an Islamic-art historian also based at Saarland University. Puin and Von Bothmer have published only a few tantalizingly brief articles in scholarly publications on what they have discovered in the Yemeni fragments. They have been reluctant to publish partly because until recently they were more concerned with sorting and classifying the fragments than with systematically examining them, and partly because they felt that the Yemeni authorities, if they realized the possible implications of the discovery, might refuse them further access. Von Bothmer, however, in 1997 finished taking more than 35,000 microfilm pictures of the fragments, and has recently brought the pictures back to Germany. This means that soon Von Bothmer, Puin, and other scholars will finally have a chance to scrutinize the texts and to publish their findings freely -- a prospect that thrills Puin. "So many Muslims have this belief that everything between the two covers of the Koran is just God's unaltered word," he says. "They like to quote the textual work that shows that the Bible has a history and did not fall straight out of the sky, but until now the Koran has been out of this discussion. The only way to break through this wall is to prove that the Koran has a history too. The Sana'a fragments will help us to do this."

Puin is not alone in his enthusiasm. "The impact of the Yemeni manuscripts is still to be felt," says Andrew Rippin, a professor of religious studies at the University of Calgary, who is at the forefront of Koranic studies today. "Their variant readings and verse orders are all very significant. Everybody agrees on that. These manuscripts say that the early history of the Koranic text is much more of an open question than many have suspected: the text was less stable, and therefore had less authority, than has always been claimed."

Copyediting God

BY the standards of contemporary biblical scholarship, most of the questions being posed by scholars like Puin and Rippin are rather modest; outside an Islamic context, proposing that the Koran has a history and suggesting that it can be interpreted metaphorically are not radical steps. But the Islamic context -- and Muslim sensibilities -- cannot be ignored. "To historicize the Koran would in effect delegitimize the whole historical experience of the Muslim community," says R. Stephen Humphreys, a professor of Islamic studies at the University of California at Santa Barbara. "The Koran is the charter for the community, the document that called it into existence. And ideally -- though obviously not always in reality -- Islamic history has been the effort to pursue and work out the commandments of the Koran in human life. If the Koran is a historical document, then the whole Islamic struggle of fourteen centuries is effectively meaningless."

The orthodox Muslim view of the Koran as self-evidently the Word of God, perfect and inimitable in message, language, style, and form, is strikingly similar to the fundamentalist Christian notion of the Bible's "inerrancy" and "verbal inspiration" that is still common in many places today. The notion was given classic expression only a little more than a century ago by the biblical scholar John William Burgon.
The Bible is none other than the voice of Him that sitteth upon the Throne! Every Book of it, every Chapter of it, every Verse of it, every word of it, every syllable of it ... every letter of it, is the direct utterance of the Most High!Not all the Christians think this way about the Bible, however, and in fact, as the Encyclopaedia of Islam (1981) points out, "the closest analogue in Christian belief to the role of the Kur'an in Muslim belief is not the Bible, but Christ." If Christ is the Word of God made flesh, the Koran is the Word of God made text, and questioning its sanctity or authority is thus considered an outright attack on Islam -- as Salman Rushdie knows all too well.

Oldest Koran
A page from perhaps the world's
oldest extant Koran, from before
750 A.D. Ultraviolet light reveals
even earlier Koranic writing
underneath. Photograph by
Gerd-R. Puin.
The prospect of a Muslim backlash has not deterred the critical-historical study of the Koran, as the existence of the essays in The Origins of the Koran (1998) demonstrate. Even in the aftermath of the Rushdie affair the work continues: In 1996 the Koranic scholar Günter Lüling wrote in The Journal of Higher Criticism about "the wide extent to which both the text of the Koran and the learned Islamic account of Islamic origins have been distorted, a deformation unsuspectingly accepted by Western Islamicists until now." In 1994 the journal Jerusalem Studies in Arabic and Islam published a posthumous study by Yehuda D. Nevo, of the Hebrew University in Jerusalem, detailing seventh- and eighth-century religious inscriptions on stones in the Negev Desert which, Nevo suggested, pose "considerable problems for the traditional Muslim account of the history of Islam." That same year, and in the same journal, Patricia Crone, a historian of early Islam currently based at the Institute for Advanced Study, in Princeton, New Jersey, published an article in which she argued that elucidating problematic passages in the Koranic text is likely to be made possible only by "abandoning the conventional account of how the Qur'an was born." And since 1991 James Bellamy, of the University of Michigan, has proposed in the Journal of the American Oriental Society a series of "emendations to the text of the Koran" -- changes that from the orthodox Muslim perspective amount to copyediting God.


"A Macabre Farce"

THE Koran is a text, a literary text, and the only way to understand, explain, and analyze it is through a literary approach," Abu Zaid says. "This is an essential theological issue." For expressing views like this in print -- in essence, for challenging the idea that the Koran must be read literally as the absolute and unchanging Word of God -- Abu Zaid was in 1995 officially branded an apostate, a ruling that in 1996 was upheld by Egypt's highest court. The court then proceeded, on the grounds of an Islamic law forbidding the marriage of an apostate to a Muslim, to order Abu Zaid to divorce his wife, Ibtihal Yunis (a ruling that the shocked and happily married Yunis described at the time as coming "like a blow to the head with a brick").

Abu Zaid steadfastly maintains that he is a pious Muslim, but contends that the Koran's manifest content -- for example, the often archaic laws about the treatment of women for which Islam is infamous -- is much less important than its complex, regenerative, and spiritually nourishing latent content. The orthodox Islamic view, Abu Zaid claims, is stultifying; it reduces a divine, eternal, and dynamic text to a fixed human interpretation with no more life and meaning than "a trinket ... a talisman ... or an ornament."

For a while Abu Zaid remained in Egypt and sought to refute the charges of apostasy, but in the face of death threats and relentless public harassment he fled with his wife from Cairo to Holland, calling the whole affair "a macabre farce." Sheikh Youssef al-Badri, the cleric whose preachings inspired much of the opposition to Abu Zaid, was exultant. "We are not terrorists; we have not used bullets or machine guns, but we have stopped an enemy of Islam from poking fun at our religion.... No one will even dare to think about harming Islam again."

Old Koran
From the Yemeni Hoard: probably a ninth- or tenth-century Koran. Photograph by Gerd-R. Puin.

Abu Zaid seems to have been justified in fearing for his life and fleeing: in 1992 the Egyptian journalist Farag Foda was assassinated by Islamists for his critical writings about Egypt's Muslim Brotherhood, and in 1994 the Nobel Prize-winning novelist Naguib Mahfouz was stabbed for writing, among other works, the allegorical Children of Gabalawi (1959) -- a novel, structured like the Koran, that presents "heretical" conceptions of God and the Prophet Muhammad.

Deviating from the orthodox interpretation of the Koran, says the Algerian Mohammed Arkoun, a professor emeritus of Islamic thought at the University of Paris, is "a very sensitive business" with major implications. "Millions and millions of people refer to the Koran daily to explain their actions and to justify their aspirations," Arkoun says. "This scale of reference is much larger than it has ever been before."